CHICAGO 1968: The Whole World Is Watching
Opening Thursday, January 10th, 2019 from 6-9pm.
Photography Exhibition on view through January 26th, 2019.
Chicago 1968 represents, perhaps as no other moment in American history, the flashpoint of cultural resistance to a militarized world out of control. In the summer of 1968, still reeling from the assassinations of Martin Luther King and Bobby Kennedy only months earlier, thousands of young people descended on the National Democratic Convention to show their opposition to the Vietnam War and their desire for a Peace platform. The showdown between “the longhairs” and “the pigs” would become one of the most violent and starkly emblematic confrontations ever broadcast on nightly news in the United States. “The whole world was watching,” CBS reporter Dan Rather uttered on the floor of the convention center in Chicago, and he was correct: The 1968 Democratic Convention was the first nationally televised political convention. Police and National Guard troops, clashing with protesters, herded tens of thousands of demonstrators into exit-less corridors, and as the mayhem ensued, police indiscriminately cracked heads.
Witnessing it all were some of the most attuned minds of the day, including Allen Ginsberg, Elizabeth Hardwick, Tom Hayden, Abbie Hoffman, Norman Mailer, Arthur Miller, William Styron, Studs Terkel, and the “hard hitting investigative team” Esquire had assembled, which included William Burroughs, Jean Genet, and Terry Southern. Shortly after bumping into Southern at the bar of the Chateau Marmont in Los Angeles, photographer Michael Cooper decided to tag along, gaining official accreditation as a photographer.
Editors Nile Southern and Adam Cooper, having dreamt for many years about a print collaboration featuring their fathers’ collective work—none more poignant than their accounts of the protests at the National Democratic Convention—here present Chicago 1968: The Whole World is Watching, a kaleidoscopic, on-the-ground account, told primarily through the words of Terry Southern and the photographs of Michael Cooper, a fitting tribute to two great artists of the 20th century.
